Polymath — a magazine for people who refuse to choose

01 — Cover Story

The long way round

Chapter I — The Turn

The Architect Who Grows Her Buildings

Chapter II — The Work

Ines Valdés-Okafor left glass towers behind to grow walls from fungus. Her structures are now outlasting her critics.

Chapter III — The Lesson

We stopped asking what the material could carry and started asking what it wanted to become.

Read the cover story

03 — The Index

Eight lives, twice lived

Meet the leaders

Ines Valdés-Okafor

Architect & Materials Scientist

Architect & Materials Scientist

Lisbon, Portugal

→

Saoirse Lindqvist

Neuroscientist & Composer

Neuroscientist & Composer

Reykjavík, Iceland

→

Tomasz Achterberg

Economist & Furniture Maker

Economist & Furniture Maker

Rotterdam, Netherlands

→

Nkechi Moreau-Hale

Robotics Engineer & Choreographer

Robotics Engineer & Choreographer

Lagos & Paris

→

Ren Isobe-Carvalho

Typographer & Venture Investor

Typographer & Venture Investor

Tokyo & São Paulo

→

Halvard Ostrom

Marine Biologist & Photographer

Marine Biologist & Photographer

Bergen, Norway

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Amaya Khoury

Software Founder & Textile Artist

Software Founder & Textile Artist

Beirut & Montréal

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Dov Ferreira-Lund

Chef & Food Systems Economist

Chef & Food Systems Economist

Copenhagen, Denmark

→

Manifesto
— The Polymath Manifesto

06 — By the numbers

Leaders profiled
Leaders profiled
Leaders profiled
Countries reported from
Countries reported from
Countries reported from
Members in the reading room
Members in the reading room
Members in the reading room
Renewal rate
Renewal rate
Renewal rate

07 — Conversations

Listen to the long version

All conversations

2:35

Growing a Building

Ines Valdés-Okafor on mycelium, lime mortar and why architecture needs a biology department.

Growing a Building0:00
2:35

Read the transcript →

2:46

The Sound of Sleep

Saoirse Lindqvist plays a sleep recording live and explains how it became a quartet.

The Sound of Sleep0:00
2:46

Read the transcript →

2:51

Pricing Patience

Tomasz Achterberg on open-book manufacturing and what economists get wrong about craft.

Pricing Patience0:00
2:51

Read the transcript →

1:47

Duet for One Human and One Arm

Nkechi Moreau-Hale and her robot rehearse on camera, then talk about compliance, trust and timing.

Duet for One Human and One Arm0:00
1:47

Read the transcript →

08 — From the editor

On doors we were told not to open

Dear reader,

Six issues in, a pattern has become impossible to ignore. The people we profile rarely describe their careers as a ladder. They talk about doors — usually ones they were told not to open.

This issue is about second acts: the architect who now grows her buildings, the central banker who builds chairs, the neuroscientist writing for string quartets. None of them abandoned what they knew. They carried it somewhere new, and it changed shape on the way.

We hope it gives you permission to do the same.

Margot Ellery

Editor-in-Chief, Polymath

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