
2:35
Growing a Building
Ines Valdés-Okafor on mycelium, lime mortar and why architecture needs a biology department.
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01 — Cover Story

Chapter I — The Turn
Chapter II — The Work
Ines Valdés-Okafor left glass towers behind to grow walls from fungus. Her structures are now outlasting her critics.
Chapter III — The Lesson
We stopped asking what the material could carry and started asking what it wanted to become.
Read the cover story
02 — The Latest
All stories

Ines Valdés-Okafor left glass towers behind to grow walls from fungus. Her structures are now outlasting her critics.

In a basement lab in Reykjavík, Saoirse Lindqvist turns the electricity of sleep into string quartets.

Nkechi Moreau-Hale teaches machines to move like people, and people to move with machines.

Tomasz Achterberg left the central bank to prove that slow production pays. He publishes the receipts.

Ren Isobe-Carvalho draws alphabets for subways and writes cheques for founders. She says the two jobs are the same.

Halvard Ostrom dives beneath the Norwegian Sea with a notebook and a large-format camera. Both are data.
03 — The Index
Meet the leaders
04 — Disciplines

01
How things are made to be used, held and lived in. Profiles of architects, typographers, industrial designers and the people who refuse to stay in one studio.

02
Researchers who leave the lab with their questions intact. Biology, neuroscience, materials and climate, told through the people who cross over.

03
Founders, economists and investors who treat a company as a creative medium. Capital, craft and the long arithmetic of good work.

04
Painters, composers, choreographers and photographers whose practice bleeds into science, technology and enterprise.

05
Engineers and makers building tools with a point of view. Robotics, software and hardware, considered as culture rather than product.
— The Polymath Manifesto
05 — The Archive
All issues
06 — By the numbers
07 — Conversations
All conversations

2:35
Ines Valdés-Okafor on mycelium, lime mortar and why architecture needs a biology department.
Read the transcript →

2:46
Saoirse Lindqvist plays a sleep recording live and explains how it became a quartet.
Read the transcript →

2:51
Tomasz Achterberg on open-book manufacturing and what economists get wrong about craft.
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1:47
Nkechi Moreau-Hale and her robot rehearse on camera, then talk about compliance, trust and timing.
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08 — From the editor
Dear reader,
Six issues in, a pattern has become impossible to ignore. The people we profile rarely describe their careers as a ladder. They talk about doors — usually ones they were told not to open.
This issue is about second acts: the architect who now grows her buildings, the central banker who builds chairs, the neuroscientist writing for string quartets. None of them abandoned what they knew. They carried it somewhere new, and it changed shape on the way.
We hope it gives you permission to do the same.
Margot Ellery
Editor-in-Chief, Polymath
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